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This article interrogates the politics and aesthetics of Black majesty that Meghan Markle and other cultural interlocutors such as Beyoncé Knowles-Carter both inform and embody. At the same time, it probes the cultural-historical significance of Black queenship and its relationship to a tradition of Black insurgency and anticolonial resistance from the Age of Revolution to the present, looking closely at Meghan Markle in conversation with Marie-Louise Christophe, first Queen of Haiti.
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